Pixologic Inc. and the Gnomon School of Visual Effects proudly present an evening with the team that brought you this year’s seminal hit, "The Last of Us". The event takes place inside the "Green Screen Hangar" on the grounds of the Television Center here in sunny Hollywood, California on October 24th, 2013!
The evening starts off with a rare opportunity to meet members of the Naughty Dog, Gnomon School of Visual Effects and Pixologic teams. Arrive early for the 6:30-7:30 meet and greet and secure yourself a seat. From 7:30 to 9:30pm we’ll take a wild ride behind the scenes into the making of one of this year's biggest games. This is exclusive event is one you won't want to miss. Take advantage of this all access pass into the design process for "The Last of Us" while networking with other industry pros.
Lead Character Artist, Naughty Dog
I will be covering how to approach sculpting realistic cloth for games. Some past examples of cloth sculpting for 'The Last of Us' and some live sculpting techniques.
Hey, I took a Computer Games Design degree back in University, where initially I wanted to be a level designer. At some point in my 2nd year there I really got into modeling characters – about the same time the D’Artiste Gears of War 2 Making Of book came out, and also as Dominance War 3 began. At the time there was just something very appealing about making a 'hero' type of character to me. From there I graduated and got a job at Frontier Developments in Cambridge (England) and worked on a project called The Outsider (it got cancelled) and Kinectimals. At the same time, I was working on a character that got me top row on Zbrushcentral 'The Gunslinger', which ultimately helped me get noticed by Naughty Dog just a year later after being at Frontier. From there I did their art test and got the job. I then came in pretty fresh into the Last of Us as the only character artist working on it in-house, and worked hard as the character team grew, and eventually Neil Druckmann asked me to be the lead character artist on the project. Two and a half years later we shipped the game.
Senior Texture / Shader Artist, Naughty Dog
I will cover a handful environment prop and tiling-texture production tips. I'll be focusing on how I take advantage of some of the newer ZBrush features (Z-Remesher and Micro-Mesh), and talk briefly about the importance and role of Z-Scripting in my workflow.
I graduated from Ringling College of Art and Design in 2004 with a BFA in Computer Animation. Upon graduation, I joined Electronic Arts Tiburon as one of the first texture artists on the researchand development team for the Xbox 360 console transition. After leading that transition and launch title production as a texture artist; I worked in various other environmental and lighting roles before becoming the Senior Lead Environment Artist across multiple AAA franchises and platforms. I joined the Kennel at Naughty Dog in late 2010 as a Texture / Shader Artist during the production of Uncharted 3: Drake's Deception. I am also part-time instructor at Otis College of Art and Design; teaching environment and ZBrush classes in the Digital Media program. In my free time I enjoy photography, and learning the joys of theme-park rides with my wife!
Character Artist, Naughty Dog
I will be demonstrating how to sculpt realistic human faces. I will pick one of my favorite anime characters and sculpt him in ZBrush.
My name is Frank Tzeng and I am from Taiwan. I am a character artist at Naughty Dog and graduated from Art Institute (Orange County) with a major in Game Art and Design. I decided to become a character artist right after I took a ZBrush class at AI which was taught by my mentor and good friend, Stephen G. Wells. I immediately fell in love with ZBrush. ZBrush has been the software that helped me the most since then. After I graduated, I was lucky enough to get hired by Sony San Diego and continued to learn a lot from all the talented character artists on the team, especially Rafael Grassetti. I've worked with them on some really exciting projects including Killzone 4 and Puppeteer. At the same time, I continue working and practicing really hard on my human head sculpting. Finally, I recently created my first fan art piece with my rendition of Walter White from Breaking Bad. This personal project got me noticed by a lot of people and also got me on the Top Row on ZBrushCentral, CGhub, Kotaku and interviewed by 3D Total. This exposure led to being noticed by Naughty Dog, where I eventually passed the art test and got hired to be a part of the character team.